The Expression of Women's Liberation and Emancipation in R. K. Narayan's "The Dark Room": Patriarchal Systems, Domestic Restriction, and the Quest for Female Identity
Keywords:
R. K. Narayan, “The Dark Room”, women's liberation, women's emancipation, feminism, patriarchy, Savitri, domestic confinement, female identity, Indian English literatureAbstract
R. K. Narayan's “The Dark Room” (1938) plays an important role in the development of feminist ideas in Indian English literature. The story of Savitri, a middle-class Indian wife and mother, shows how patriarchal marriage and domestic power structures create unfair treatment for women. This paper looks at how the novel shows women's struggle for freedom and self-respect through acts of resistance, self-awareness, and the desire for personal dignity. By using feminist literary analysis and close reading of the text, the paper explores the symbolic meaning of the dark room, the unequal relationship between Savitri and her husband Ramani, and the social and economic factors that limit women’s freedom. Savitri’s decision to leave her home is a strong act of defiance against the control she faces at home. However, her later financial struggles and emotional connection to her children show how fighting back alone in a patriarchal society has its limits. The paper argues that “The Dark Room” is an early and thoughtful look at gender inequality. It recognizes the difficulties and courage of women while not offering a full plan for complete freedom. By showing the difference between wanting freedom and the real steps needed to keep it, this study shows why the novel remains important for modern conversations about family hierarchies, financial independence, equal treatment in marriage, and women's control over their lives.

